Glover, R. and Harrison, B. (2013) Overcoming Form: reflections on immersive listening. Huddersfield: University of Huddersfield Press. ISBN 978-1-86218-120-5.
Lidbury, C. (2000) Kurt Jooss: Big City, London: Dance Books.
Clare Lidbury and Andy Adamson (eds) Kurt Jooss: 60 Years of the Green Table - Proceedings of the Conference held at the University of Birmingham, 17-19 October 1992 (Studies in Drama and Dance) University of Birmingham
Johnson, Paul and Dobkowska, Sylwia (eds.) (2015) Justitia: Multidisciplinary readings of the work of Jasmin Vardimon Company. Intellect: Bristol
Browne, S. (2015) 'Everybody's Free to Fail: subsidised British revivals of the American canon', In: Gordon R; Jubin O (eds.) The Oxford Handbook of the British Musical. Oxford University Press. [Forthcoming]
Bouwer, Anders; Holland, Simon and Dalgleish, Mat (2013). The Haptic Bracelets: learning multi-limb rhythm skills from haptic stimuli while reading. In: Holland, Simon; Wilkie, Katie; Mulholland, Paul and Seago, Allan eds. Music and Human-Computer Interaction. Cultural Computing. London: Springer.
Glover, R (2013) 'Minimalism, Technology and Electronic Music'. Ashgate Research Companion to Minimalist and Post-Minimalist Music. Farnham: Ashgate. ISBN 978-1-4724- 0278-3.
Glover, R. (2013) ʻPhill Niblock: Identity through instabilityʼ. Phill Niblock: Working Title. Dijon, France: Les presses du réel. ISBN 9782840664239.
Johnson, P. (2014) Ideology and the True/False Performance of Heritage. in Chow B. and Mangold A. (eds.) Zizek and performance. Basingstoke: Palgrave Macmillan
Dalgleish, M. and Spencer, S. (2014). Postrum: developing good posture in trumpet players through directional haptic feedback. Proceedings of the 9th Conference on International Musicology (CIM14). Staatliches Institut für Musikforschung, Berlin, Germany, 4-6 December. pp. 334-338.
Foteinou, A., and Murphy, D.T. (2014) Multi-positional acoustic measurements for auralization of St Margaret’s Church, York, UK. Proceedings of Forum Acusticum 2014, Krakow, Poland, 7-12 September.
Glover, R. (2015) Tuning Systems as Processual Material. Divergence Press [online], (4).
Johnson, P. (2014) Science, performance and transformation: performance for a ‘scientific’ age? International Journal of Performance Arts and Digital Media, 10 (2).
Lovelock, J. (2014) Using the Klein Sexual Orientation Grid in Sociological Studies. Journal of Bisexuality, 14 (3).
Whitfield, S., 2011. Two Different Roads to New Musicals in 2011 London: London Road and Road Show Studies in Musical Theatre
Wood, K (2015). Audience as Community: Corporeal Knowledge and Empathetic Viewing. International Journal of Screendance, (5), pp. 29-43.
Wyon, M.A., Cloak, R., Lucas, J., and Clarke, F. (2013) Effect of shoe midsole thickness on dynamic postural stability. Medical Problems of Performing Artists. 28(4), pp. 195-198.
Cann, P. (2014) A Malady Of Migration (writer, director and performer) A collaboration between Talking Birds Theatre Company and the Centres for the History of Medicine (England and Ireland). A play with music, using popular performance techniques to explore issues connected with mental health among Irish migrants to England in the 19th Century.
Cann, P. (2015) A Almofada de Penas de Cuco (The Cuckoo Feather Pillow) (writer/librettist) A co production between The Portuguese National Theatre and O Teatro Regional Da Serra Do Montemuro. A one act opera with music by Simon Fraser as part of the performance Memorias Partilhadas.
Cann, P. (2015) Caidos do Ceu (Fallen from Heaven) (director and dramaturg). A show for open air venues touring Portugal.
Fairclough, L and Glover, R (2014) Absolute Pitch (installation). Co-commissioned by Whitstable Biennale 2014 and ICIA University of Bath.
Glover, R (2013) Logical Harmonies [Portrait cd with the label 'Another Timbre']. AT66.
Wood, K & Morfill, S. (2014). 100m line (performance). Performed at Backlit Studios, Nottingham as part of In Dialogue Symposium.